Polish Painter, 1838-1893
He studied from 1852 to 1858 at the School of Fine Arts in Krakew and, during this time, started exhibiting historical paintings with the Society of Friends of the Fine Arts there (e.g. Sigismund I Bestowing Nobility on the Professors of the University of Krakew in 1535 (1858; Krakew, Jagiellonian U., Mus. F.A.). After studying in Munich (1859) under the history painter Hermann Anschetz (1802-80) and then briefly and less successfully in Vienna, Matejko returned to Krak?w, where he was based for the rest of his life. In 1860 Matejko issued an illustrated album, Ubiory w Polsce (later editions 1875 and 1901), a project reflecting his intense interest in historical records of all kinds and his desire to promote such interest among the Polish people in an effort to intensify their patriotic feelings. This role first became widely associated with Matejko with his painting of Stanczyk (1862; Warsaw, N. Mus.), the court jester to King Sigismund I (1437-1548), to whom Matejko gave his own features. The jester is presented as a symbol of the nation's conscience Related Paintings of Jan Matejko :. | Founding of the Lubranki Academy in Poznan | Immigration of the Jews | Portret dzieci artysty | Stephen Bethory at Pskov | Prussian Homage | Related Artists:
Ilya Ostroukhov1858-1929. Was a Russian painter. Ostroukhov was born to a rich family. In 1885, Ostroukhov joined the Association of Travelling Art Exhibitions. Ostroukhov was primarily a landscape painter.
Eugene Isabey1803-1886
French
Eugene Isabey Galleries
Born in Paris, the son of Jean-Baptiste Isabey, a painter as well, Eug??ne Isabey studied and worked at the Louvre Museum. Early in his career his paintings consisted of mostly watercolor landscapes. In 1820, he travelled to Normandy and Britain painting land and seascapes.
Isabey journeyed with the French Expedition to Algiers in 1830 as an illustrator. Yet, the trip's paintings sold poorly on the market and encouraged him to switch to narrative and historical painting. He was later selected to become one of Louis-Philippe??s court painters.
Alexandre CabanelFrench Academic Painter, 1823-1889
French painter and teacher. His skill in drawing was apparently evident by the age of 11. His father could not afford his training, but in 1839 his departement gave him a grant to go to Paris. This enabled him to register at the Ecole des Beaux-Arts the following October as a pupil of Franeois-Edouard Picot. At his first Salon in 1843 he presented Agony in the Garden (Valenciennes, Mus. B.-A.) and won second place in the Prix de Rome competition (after Leon B?nouville, also a pupil of Picot) in 1845 with Christ at the Praetorium (Paris, Ecole N. Sup. B.-A.). Both Cabanel and Benouville were able to go to Rome, as there was a vacancy from the previous year. Cabanel's Death of Moses (untraced), an academic composition, painted to comply with the regulations of the Ecole de Rome, was exhibited at the Salon of 1852.